二打奏宴（マリンバ＆打楽器）：和田薫 [打楽器2重奏]

二打奏宴（マリンバ＆打楽器）

曲は4つの特徴的な部分より構成されています。マリンバの静かなパッセージから始まり断片的なモチーフを奏でる中、打楽器はそのフレーズに呼応します。続いてカデンツァ的な部分で、マリンバと打楽器の間(ま)の空間を表出します。その超時間的な音を受けて、呪術的・念仏的なオスティナートが打楽器により始まり、次第に高揚して最終部分のアレグロへ突入します。「二打奏宴」というタイトルは、打楽器デュオによる狂詩曲的な意味合いを込めた作者が造語したものです。

和田薫

仕様

楽器編成

NI-DA-SOH-EN FOR MARIMBA AND PERCUSSION

In Spring 2019, to a commission from the percussionist and marimbist Tomohiro Nishikubo, I started composing the work NiDaSohEn for Marimba and Percussion, and finished it in November of the same year. It aims to display characteristics of the Marimba and Percussion that are the same attribute as instruments. Marimba acts as a soloist and Percussion acts as an orchestra, that is, it’s written in concerto style. The work consists of 4 characteristic parts. The first part starts with calm passages and fragmentary motifs in the marimba part in response to Percussion. The second part contains a cadenzalike, illustrates atemporal space between Marimba and Percussion. That space leads to magical and invocational ostinato which is the third part. After a glowing passage of the third part, it leads to the final part which is Allegro. NiDaSohEn is a coined word meaning rhapsodic percussion duo.

Kaoru Wada

◆First Performance : Tomohiro Nishikubo Marimba recital, 2019 at Toppan HallMarimba: Tomohiro NIshikubo　　Percussion: Makoto Shibahara

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