この版は、2011年に出版された現行版(FML-0072)を元に、全日本吹奏楽コンクール小編成部門の編成を基準に、オーケストレーションおよび構成を改訂したものです。(井澗昌樹)
大阪教育大学教養学科芸術専攻音楽コース卒業。同大学大学院芸術文化専攻修了。作曲を澤田博、北川文雄の両氏に師事。
主な作品に、バリトン独唱と管弦楽のためのカンタータ「倭建命 流離譚」、トランペット八重奏曲「四季の奏鳴」など。吹奏楽作品に、「火の断章」(2008年度全日本吹奏楽コンクール課題曲)、「Bye Bye Violet」、「愛の祭壇」など。
For girls, playing house is usually a game filled with love. For boys, playfighting is usually a game where they channel their inner courage and pride. For us, the stuffed animals we had hugged must have been alive, and we would not have doubted their lively, genuine emotions within.
It is not the case that we had realized these are merely imaginary after we grew up, but that we grow up by consciously casting them into the realm of the imaginary. Perhaps this is somewhat nostalgic to say. Yet, it makes me a little sad to wonder why people lose their rich imagination as they grow older.
Phrases such as “the princess’ garden” and “toy soldiers” that are found in various sections of the score have been drawn from my personal memory. I have indicated these with the hope that they can spark further interpretation even though there are no specific stories behind them.
This arrangement is based on the current version (FML0072) published in 2011, and its orchestration and structure have been revised to satisfy the Small Band category of the AllJapan Band Competition.
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有効期間:2023/03/01 ~ 2024/12/31