想ひ麗し浄瑠璃姫の雫〈コンポーザーズ・カット・エディション〉：樽屋雅徳 [吹奏楽極小編成-レンタル譜]

想ひ麗し浄瑠璃姫の雫〈コンポーザーズ・カット・エディション〉

現代の青森ねぶた祭りに、この義経の北行伝説のねぶたが登場したことがあり、実は北行伝説を語る上で、浄瑠璃姫の伝説も重要な鍵だと言われているそうです。
これらの青森を舞台とした伝説が津軽三味線の音色と共に語り継がれたことから、この曲にもねぶた音階、津軽三味線のイメージを織り込み、義経の伝説の壮大さや浄瑠璃姫との切ない恋物語をイメージし、作曲しています。(樽屋雅徳)

この版は、2015年に出版された現行版（FML-0142）を元に、全日本吹奏楽コンクール小編成部門の編成と制限時間を基準に、オーケストレーションおよび構成を改訂したものです。

仕様

スタディスコア/セット・版違いなど

【スコア】想ひ麗し浄瑠璃姫の雫〈コンポーザーズ・カット・エディション〉：樽屋雅徳 [吹奏楽スコア]

楽器編成

主要ソロ：Flute, Alto Saxophone

樽屋雅徳(Masanori Taruya)

1978年千葉県銚子市生まれ。武蔵野音楽大学音楽学部作曲学科卒業。佐藤博、宮本良樹各氏に師事。

フランスで吹奏楽曲「Ardent Overture」を出版。代表作として「絵のない絵本」「民衆を導く自由の女神」「マゼランの未知なる大陸への挑戦」「ラザロの復活」「マードックからの最後の手紙」などがある。

全国の吹奏楽団やマーチングバンドからの委嘱も数多く、その作品の多くが国内外問わず広く演奏され、日本でもっとも人気のある作曲家のひとりである。また、作曲・編曲の傍ら、吹奏楽指導やコンクール等の審査員、執筆活動などでも多くの成果を挙げている。

2004年～2018年まで銚子市立銚子高等学校の音楽監督を務めマーチングコンテストで全国大会へ、吹奏楽コンクールでは東関東大会、東日本大会へと導く。

現在はベルモンテウィンドオーケストラの指揮者・音楽監督を務め、指導者としても高い評価を受けている。

修正情報

2024/08/02修正情報（PDF）

TEARS OF PRINCESS JORURI (COMPOSERS CUT EDITION)：Composer: Masanori TARUYA

Minamoto no Yoshitsune was on his way to Oshu when he fell in love with Jorurihime, a princess from Yahagi of Mikawa no Kuni.

As Yoshitsune was in the midst of his journey, he went on his way after parting with the princess. However, he fell seriously ill at Kambarajuku subsequently and his body was abandoned along the beach.

After learning of Yoshitsune’s predicament, Jorurihime arrived at the beach and embraced Yoshitsune’s corpse. She broke into tears and prayed for the revival of her lover. Her prayers moved the gods and Yoshitsune was revived, but he parted ways with the princess tearfully and set out on his journey once again.

The princess who had promised Yoshitsune that they would meet again then received news that Yoshitsune had been defeated at Hiraizumi and she immediately set out for Mutsu. This allowed her to finally meet Yoshitsune once again, but their joy was shortlived. It was said that the princess fell sick due to exhaustion from her long journey, and eventually breathed her last.

Yoshitsune was struck by sadness and traveled through the Tsugaru Peninsula and eventually to Ezo while keeping the princess in his heart.

It is said that this tale of Jorurihime forms an important part of the above legend of Yoshitsune’s Northern Route, which has also been featured at the Aomori Nebuta Festival.

As these legends set in Aomori have been passed down along with the sounds of the Tsugarujamisen, the composition of this piece was inspired by Yoshitsune’s epic legend and his heartbreaking love story with Jorurihime and incorporates the Nebuta scale as well as elements of the Tsugarujamisen.

This arrangement is based on the current version (FML0142) published in 2015, and its orchestration and structure have been revised to satisfy the orchestration and duration requirements of the Small Band category of the AllJapan Band Competition.

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