アトラス～夢への地図～（小編成版:18人編成）：福島弘和 [吹奏楽スコア]

アトラス～夢への地図～（小編成版:18人編成）

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【レンタル譜】アトラス 夢への地図 （小編成版:18人編成）：福島弘和 [吹奏楽小編成]

【レンタル譜】アトラス 夢への地図 ：福島弘和 [吹奏楽中編成]

関連商品

【CD】【配信販売】20人のコンクールレパートリーVol.1「アトラス 夢への地図」：土気シビックウインドオーケストラ [吹奏楽CD]

楽器編成

福島弘和(Hirokazu Fukushima)

東京音楽大学卒業。同大学研究科修了。

オーボエを浜道晁、作曲を有馬礼子の各氏に師事する。現在、吹奏楽やオーケストラなど作編曲活動をする。また、演奏にパフォーマンスやコメディーを加えたアンサンブルポアールで演奏活動をする。

1999年朝日作曲賞、2003年下谷作曲賞、2007,2012,2013年下谷奨励賞、2010年日本管打吹奏楽学会アカデミー賞作曲部門など受賞する。

2001年国民文化祭、2008年全国高校総合文化祭の創作音楽を手掛けている。

21世紀の吹奏楽「響宴」会員。主な作品：「ラッキードラゴン」「シンフォニエッタ祈りの鐘」ほか

修正情報

ATLAS, A MAP TO THE FUTURES DREAM (FOR SMALL ORGANIZATION) ：Composer: Hirokazu FUKUSHIMA

This piece was composed based on an image of “a map that charts out a route that guides people to their hopes and dreams.” As maps are needed to find one’s way, the piece was entitled “Atlas” (which is not a reference to the titan Atlas in Greek mythology). Its subtitle “a map to the futures dream” goes beyond simply creating a geographical image as this map aims to guide people in navigating the difficult choices in life as they stride towards their dream to find their calling in life with unyielding determination.

As for the performance of this piece, please perform the opening fanfare in a manner that creates an image of people striding forward resolutely. The time signature of 6/8 in Section “B” evokes an image of people finding their way into a future illuminated by hope. The opening fanfare motif is then recapitulated in 6/8. Please perform this section according to the musical nuances by paying attention to its composition and imagery while creating appropriate variations in the intensity of the performance.

I do not believe that it is necessary for small ensembles to reproduce the same kind of volume and power that large ensembles possess. Please perform the sections marked with “forte” by creating a rich and wonderful sound.

This version has been revised from the current edition by modifying its orchestration so that it can be performed by small ensembles as well.

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